2009 |
11 | EE | Shlomo Dubnov,
Melvin J. Hinich:
Analyzing several musical instrument tones using the randomly modulated periodicity model.
Signal Processing 89(1): 24-30 (2009) |
2006 |
10 | EE | Shlomo Dubnov:
Computer audition: an introduction and research survey.
ACM Multimedia 2006: 9 |
9 | EE | Arshia Cont,
Shlomo Dubnov,
Gérard Assayag:
Anticipatory Model of Musical Style Imitation Using Collaborative and Competitive Reinforcement Learning.
SAB ABiALS 2006: 285-306 |
8 | EE | Shlomo Dubnov,
Stephen McAdams,
Roger Reynolds:
Structural and affective aspects of music from statistical audio signal analysis.
JASIST 57(11): 1526-536 (2006) |
2005 |
7 | | Nicholas L. Cassimatis,
Sean Luke,
Simon D. Levy,
Ross Gayler,
Pentti Kanerva,
Chris Eliasmith,
Timothy W. Bickmore,
Alan C. Schultz,
Randall Davis,
James A. Landay,
Robert C. Miller,
Eric Saund,
Thomas F. Stahovich,
Michael L. Littman,
Satinder P. Singh,
Shlomo Argamon,
Shlomo Dubnov:
Reports on the 2004 AAAI Fall Symposia.
AI Magazine 26(1): 98-102 (2005) |
2004 |
6 | EE | Gérard Assayag,
Shlomo Dubnov:
Using Factor Oracles for Machine Improvisation.
Soft Comput. 8(9): 604-610 (2004) |
2003 |
5 | EE | Shlomo Dubnov,
Gérard Assayag,
Olivier Lartillot,
Gill Bejerano:
Using Machine-Learning Methods for Musical Style Modeling.
IEEE Computer 36(10): 73-80 (2003) |
2002 |
4 | EE | Shai Shalev-Shwartz,
Shlomo Dubnov,
Nir Friedman,
Yoram Singer:
Robust temporal and spectral modeling for query By melody.
SIGIR 2002: 331-338 |
3 | EE | Shlomo Dubnov,
Ziv Bar-Joseph,
Ran El-Yaniv,
Dani Lischinski,
Michael Werman:
Synthesizing Sound Textures through Wavelet Tree Learning.
IEEE Computer Graphics and Applications 22(4): 38-48 (2002) |
2 | | Shlomo Dubnov,
Ran El-Yaniv,
Yoram Gdalyahu,
Elad Schneidman,
Naftali Tishby,
Golan Yona:
A New Nonparametric Pairwise Clustering Algorithm Based on Iterative Estimation of Distance Profiles.
Machine Learning 47(1): 35-61 (2002) |
1996 |
1 | | Dalia Cohen,
Shlomo Dubnov:
Gestalt Phenomena in Musical Texture.
Joint International Conference on Cognitive and Systematic Musicology 1996: 386-405 |