| 2008 |
|---|
| 9 | EE | Antoine Allombert,
Myriam Desainte-Catherine,
Gérard Assayag:
Iscore: a system for writing interaction.
DIMEA 2008: 360-367 |
| 2007 |
|---|
| 8 | EE | Grégoire Carpentier,
Damien Tardieu,
Gérard Assayag,
Xavier Rodet,
Emmanuel Saint-James:
An Evolutionary Approach to Computer-Aided Orchestration.
EvoWorkshops 2007: 488-497 |
| 2006 |
|---|
| 7 | EE | Arshia Cont,
Shlomo Dubnov,
Gérard Assayag:
Anticipatory Model of Musical Style Imitation Using Collaborative and Competitive Reinforcement Learning.
SAB ABiALS 2006: 285-306 |
| 2004 |
|---|
| 6 | EE | Gérard Assayag,
Vittorio Cafagna,
Marc Chemillier:
Preface.
Soft Comput. 8(9): 587-587 (2004) |
| 5 | EE | Gérard Assayag,
Shlomo Dubnov:
Using Factor Oracles for Machine Improvisation.
Soft Comput. 8(9): 604-610 (2004) |
| 2003 |
|---|
| 4 | EE | Shlomo Dubnov,
Gérard Assayag,
Olivier Lartillot,
Gill Bejerano:
Using Machine-Learning Methods for Musical Style Modeling.
IEEE Computer 36(10): 73-80 (2003) |
| 2002 |
|---|
| 3 | EE | Carlos Agon,
Gérard Assayag:
Programmation visuelle et editeurs musicaux pour la composition assistée par ordinateur.
IHM 2002: 205-206 |
| 2001 |
|---|
| 2 | | Charlotte Truchet,
Carlos Agon,
Gérard Assayag:
Recherche adaptative et contraintes musicales.
JFPLC 2001: 91-108 |
| 1 | | Camilo Rueda,
Gloria Alvarez,
Luis Quesada,
Gabriel Tamura,
Frank D. Valencia,
Juan Francisco Díaz,
Gérard Assayag:
Integrating Constraints and Concurrent Objects in Musical Applications: A Calculus and its Visual Language.
Constraints 6(1): 21-52 (2001) |
