| 2009 |
| 23 | EE | José Miguel Salles Dias,
Sylvie Gibet,
Marcelo M. Wanderley,
Rafael Bastos:
Gesture-Based Human-Computer Interaction and Simulation, 7th International Gesture Workshop, GW 2007, Lisbon, Portugal, May 23-25, 2007, Revised Selected Papers
Springer 2009 |
| 2007 |
| 22 | EE | Joseph Malloch,
Stephen Sinclair,
Marcelo M. Wanderley:
A Network-Based Framework for Collaborative Development and Performance of Digital Musical Instruments.
CMMR 2007: 401-425 |
| 21 | EE | Nicolas H. Rasamimanana,
Delphine Bernardin,
Marcelo M. Wanderley,
Frédéric Bevilacqua:
String Bowing Gestures at Varying Bow Stroke Frequencies: A Case Study.
Gesture Workshop 2007: 216-226 |
| 20 | EE | Mark T. Marshall,
Joseph Malloch,
Marcelo M. Wanderley:
Gesture Control of Sound Spatialization for Live Musical Performance.
Gesture Workshop 2007: 227-238 |
| 19 | EE | Barbara Mazzarino,
Manuel Peinado,
Ronan Boulic,
Gualtiero Volpe,
Marcelo M. Wanderley:
Improving the Believability of Virtual Characters Using Qualitative Gesture Analysis.
Gesture Workshop 2007: 48-56 |
| 2006 |
| 18 | EE | Marcelo M. Wanderley,
David Birnbaum,
Joseph Malloch,
Elliot Sinyor,
Julien Boissinot:
SensorWiki.org: A Collaborative Resource for Researchers and Interface Designers.
NIME 2006: 180-183 |
| 17 | EE | Anne-Marie Burns,
Marcelo M. Wanderley:
Visual Methods for the Retrieval of Guitarist Fingering.
NIME 2006: 196-199 |
| 16 | EE | Mark T. Marshall,
Marcelo M. Wanderley:
Vibrotactile Feedback in Digital Musical Instruments.
NIME 2006: 226-229 |
| 15 | EE | Rodolphe Koehly,
Marcelo M. Wanderley,
Denis Curtil:
Paper FSRs and Latex/Fabric Traction Sensors: Methods for the Development of Home-Made Touch Sensors.
NIME 2006: 230-233 |
| 2005 |
| 14 | EE | Alexander Refsum Jensenius,
Rodolphe Koehly,
Marcelo M. Wanderley:
Building Low-Cost Music Controllers.
CMMR 2005: 123-129 |
| 13 | EE | Mark T. Marshall,
Marcelo M. Wanderley:
Evaluation of Sensors as Input Devices for Computer Music Interfaces.
CMMR 2005: 130-139 |
| 12 | | Paul Kolesnik,
Marcelo M. Wanderley:
Implementation of the Discrete Hidden Markov Model in Max/MSP Environment.
FLAIRS Conference 2005: 68-73 |
| 11 | EE | Andrey R. da Silva,
Marcelo M. Wanderley,
Gary P. Scavone:
On the Use of Flute Air Jet as A Musical Control Variable.
NIME 2005: 105-108 |
| 10 | EE | David Birnbaum,
Rebecca Fiebrink,
Joseph Malloch,
Marcelo M. Wanderley:
Towards a Dimension Space for Musical Artifacts.
NIME 2005: 192-195 |
| 9 | EE | Elliot Sinyor,
Marcelo M. Wanderley:
Gyrotyre. A Hand-held Dynamic Computer-Music Controller Based on a Spinning Wheel.
NIME 2005: 42-45 |
| 2004 |
| 8 | EE | Doug Van Nort,
Marcelo M. Wanderley,
Philippe Depalle:
On the Choice of Mappings Based On Geometric Properties.
NIME 2004: 87-91 |
| 2003 |
| 7 | EE | Bradley W. Vines,
Marcelo M. Wanderley,
Carol Krumhansl,
Regina L. Nuzzo,
Daniel J. Levitin:
Performance Gestures of Musicians: What Structural and Emotional Information Do They Convey?
Gesture Workshop 2003: 468-478 |
| 6 | EE | Caroline Traube,
Philippe Depalle,
Marcelo M. Wanderley:
Indirect Acquisition of Instrumental Gesture Based on Signal, Physical and Perceptual Information.
NIME 2003: 42-48 |
| 2002 |
| 5 | EE | Andy Hunt,
Marcelo M. Wanderley,
Matthew Paradis:
The Importance of Parameter Mapping in Electronic Instrument Design.
NIME 2002: 149-154 |
| 2001 |
| 4 | EE | Marcelo M. Wanderley:
Quantitative Analysis of Non-obvious Performer Gestures.
Gesture Workshop 2001: 241-253 |
| 3 | EE | Nicola Orio,
Norbert Schnell,
Marcelo M. Wanderley:
Input Devices for Musical Expression: Borrowing Tools from HCI.
NIME 2001 |
| 2 | | Marcelo M. Wanderley:
The jMax Digitizing Tablet.
NIME 2001 |
| 1999 |
| 1 | EE | Marcelo M. Wanderley:
Non-obvious Performer Gestures in Instrumental Music.
Gesture Workshop 1999: 37-48 |