NIME 2003: Montreal, Canada

François Thibault (Ed.): New Interfaces for Musical Expression, NIME-03, Proceedings, Montréal, May 22-24, 2003. Faculty of Music, McGill University 2003, ISBN 0-7717-0604-9 BibTeX

Paper Session I

Cormac Cannon, Stephen Hughes, M. Sile O'Modhrain:
EpipE: Exploration of the Uilleann Pipes as a Potential Controller for Computer-Based Music. 3-8
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Diana Young, Georg Essl:
HyperPuja: A Tibetan Singing Bowl Controller. 9-14
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Report Session I

Gary P. Scavone:
THE PIPE: Explorations with Breath Control. 15-18
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Marije A. J. Baalman:
The STRIMIDILATOR, a String Controlled MIDI-Instrument. 19-23
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Scott Wilson, Michael Gurevich, Bill Verplank, Pascal Stang:
Microcontrollers in Music HCI Instruction - Reflections on our Switch to the Atmel AVR Platform. 24-29
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Tue Haste Andersen:
Mixxx: Towards Novel DJ Interfaces. 30-35
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Report Session II

Nicola Orio, Serge Lemouton, Diemo Schwarz, Norbert Schnell:
Score Following: State of the Art and New Developments. 36-41
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Caroline Traube, Philippe Depalle, Marcelo M. Wanderley:
Indirect Acquisition of Instrumental Gesture Based on Signal, Physical and Perceptual Information. 42-48
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Yoichi Nagashima:
Bio-Sensing Systems and Bio-Feedback Systems for Interactive Media Arts. 48-53
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Paper Session II

Ali Momeni, David Wessel:
Characterizing and Controlling Musical Material Intuitively with Geometric Models. 54-62
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Matthew Burtner:
Composing for the (dis)Embodied Ensemble: Notational Systems in (dis)Appearances. 63-69
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Sergi Jordà:
Sonigraphical Instruments: From FMOL to the reacTable*. 70-76
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Report Session III

Motohide Hatanaka:
Ergonomic Design of a Portable Musical Instrument. 77-82
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Hiroko Shiraiwa, Rodrigo Segnini, Vivian Woo:
Sound Kitchen: Designing a Chemically Controlled Musical Performance. 83-86
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Joel Ryan, Christopher Salter:
TGarden: Wearable Instruments and Augmented Physicality. 87-90
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David Ventura, Kenji Mase:
Duet Musical Companion: Improvisational Interfaces for Children. 91-94
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Report Session IV

David M. Howard, Stuart Rimell, Andy Hunt:
Force Feedback Gesture Controlled Physical Modelling Synthesis. 95-98
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Reynald Hoskinson, Kees van den Doel, Sidney Fels:
Real-time Adaptive Control of Modal Synthesis. 99-103
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Diana Young, Stefania Serafin:
Playability Evaluation of a Virtual Bowed String Instrument. 104-108
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Paper Session III

Lalya Gaye, Ramia Mazé, Lars Erik Holmquist:
Sonic City: The Urban Environment as a Musical Interface. 109-115
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Michael J. Lyons, Michael Haehnel, Nobuji Tetsutani:
Designing, Playing, and Performing with a Vision-based Mouth Interface. 116-120
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Donna Hewitt, Ian Stevenson:
E-mic: Extended Mic-stand Interface Controller. 122-128
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Report Session V

Tina Blaine, Sidney Fels:
Contexts of Collaborative Musical Experiences. 129-134
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Andy Hunt, Ross Kirk:
MidiGrid: Past, Present and Future. 135-139
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Loïc Kessous, Daniel Arfib:
Bimanuality in Alternate Musical Instruments. 140-145
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Paul Modler, Tony Myatt, Michael Saup:
An Experimental Set of Hand Gestures for Expressive Control of Musical Parameters in Realtime. 146-150
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Report Session VI

Teresa Marrin Nakra:
Immersion Music: A Progress Report. 151-152
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Matthew Wright, Adrian Freed, Ali Momeni:
OpenSound Control: State of the Art 2003. 153-159
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Additional Documents

Christopher Dobrian, Frédéric Bevilacqua:
Gestural Control of Music Using the Vicon 8 Motion Capture System. 161-163
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Kazushi Nishimoto, Chika Oshima, Yohei Miyagawa:
Why Always Versatile?: Dynamically Customizable Musical Instruments Facilitate Expressive Performances. 164-169
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Henry Newton Dunn, Hiroki Nakano, James Gibson:
Block Jam: A Tangible Interface for Interactive Music. 170-177
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Poster Session

Sukandar Kartadinata:
The Gluiph: a Nucleus for Integrated Instruments. 180-183
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Jean-Michel Couturier, Daniel Arfib:
Pointing Fingers: Using Multiple Direct Interactions with Visual Objects to Perform Music. 184-187
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Eric Singer, Kevin Larke, David Bianciardi:
LEMUR GuitarBot: MIDI Robotic String Instrument. 188-191
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Chad Peiper, David Warden, Guy Garnett:
An Interface for Real-time Classification of Articulations Produced by Violin Bowing. 192-197
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Zack Settel, Cort Lippe:
Convolution Brother's Instrument Design. 197-200
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Insook Choi:
A Component Model of Gestural Primitive Throughput. 201-204
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Demo I

Cléo Palacio-Quintin:
The Hyper-Flute. 206-207
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Jesse T. Allison, Timothy A. Place:
SensorBox: Practical Audio Interface for Gestural Performance. 208-210
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Kevin C. Baird:
Multi-Conductor: An Onscreen Polymetrical Conducting and Notation Display System. 211-212
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Bill Kleinsasser:
Dsp.rack: Laptop-based Modular, Programmable Digital Signal Processing and Mixing for Live Performance. 213-215
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Mathew Laibowitz:
BASIS: A Genesis in Musical Interfaces. 216-217
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Demo II

David Merrill:
Head-Tracking for Gestural and Continuous Control of Parameterized Audio Effects. 218-219
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Eric Singer:
Sonic Banana: A Novel Bend-Sensor-Based MIDI Controller. 220-221
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David Muth, Ed Burton:
Sodaconductor. 222-224
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Emmanuel Fléty, Marc Sirguy:
EoBody: a Follow-up to AtoMIC Pro's Technology. 225-226
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Invited Papers

Joseph A. Paradiso:
Dual-Use Technologies for Electronic Music Controllers: A Personal Perspective. 228-234
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Claude Cadoz, Annie Luciani, Jean-Loup Florens, Nicolas Castagné:
ACROE-ICA. Artistic Creation and Computer Interactive Multisensory Simulation Force Feedback Gesture Transducers. 235-246
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