4. CMMR 2007:
Copenhagen,
Denmark
Richard Kronland-Martinet, Sølvi Ystad, Kristoffer Jensen (Eds.):
Computer Music Modeling and Retrieval. Sense of Sounds, 4th International Symposium, CMMR 2007, Copenhagen, Denmark, August 27-31, 2007. Revised Papers.
Lecture Notes in Computer Science 4969 Springer 2008, ISBN 978-3-540-85034-2 BibTeX
Towards the Understanding of Sense of Sounds
Perceptual and Cognitive Aspects of Music
- John Chowning:
Fifty Years of Computer Music: Ideas of the Past Speak to the Future.
1-10
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- Barbara Tillmann:
Music Cognition: Learning, Perception, Expectations.
11-33
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- Dilip Swaminathan, Harvey D. Thornburg, Todd Ingalls, Stjepan Rajko, Jodi James, Ellen Campana, Kathleya Afanador, Randal J. Leistikow:
Capturing Expressive and Indicative Qualities of Conducting Gesture: An Application of Temporal Expectancy Models.
34-55
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- Barbara Pastuszek-Lipinska:
Musicians Outperform Nonmusicians in Speech Imitation.
56-73
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- Barry Eaglestone, Nigel Ford, Peter Holdridge, Jenny Carter, Catherine Upton:
Cognitive Styles and Computer-Based Creativity Support Systems: Two Linked Studies of Electro-acoustic Music Composers.
74-97
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- Tuukka Ilomäki:
The Usability of Music Theory Software: The Analysis of Twelve-Tone Music as a Case Study.
98-109
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- Parag Chordia, Alex Rae:
Understanding Emotion in Raag: An Empirical Study of Listener Responses.
110-124
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Relevant Features in Sounds and Music
Multimodal Perception and Interaction
- Amalia de Götzen, Luca Mion, Federico Avanzini, Stefania Serafin:
Multimodal Design for Enactive Toys.
212-222
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- Sonia Wilkie, Catherine Stevens, Roger Dean:
Psychoacoustic Manipulation of the Sound-Induced Illusory Flash.
223-234
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- Kathleya Afanador, Ellen Campana, Todd Ingalls, Dilip Swaminathan, Harvey D. Thornburg, Jodi James, Jessica Mumford, Gang Qian, Stjepan Rajko:
On Cross-Modal Perception of Musical Tempo and the Speed of Human Movement.
235-245
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- Christopher L. Salter, Marije A. J. Baalman, Daniel Moody-Grigsby:
Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance.
246-262
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Towards the Generation of Sense of Sounds
Rule-Based Music Retrieval and Generation
AI Approaches for Interactive Musical Systems
Tools and Applications for Composers and Performers
- Xavier Amatriain, Jorge Castellanos, Tobias Höllerer, JoAnn Kuchera-Morin, Stephen Travis Pope, Graham Wakefield, Will Wolcott:
Experiencing Audio and Music in a Fully Immersive Environment.
380-400
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- Joseph Malloch, Stephen Sinclair, Marcelo M. Wanderley:
A Network-Based Framework for Collaborative Development and Performance of Digital Musical Instruments.
401-425
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- J. Milo Taylor:
The ImmApp: A Digital Application for Immersive Interaction with Sound Art Archives.
426-440
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- Miguel Angel Ortiz Pérez, R. Benjamin Knapp:
BioTools: A Biosignal Toolbox for Composers and Performers.
441-452
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- David Gerhard, Brett Park, Jarrod Ellis:
Focus-Plus-Context Audio Interaction Design.
453-477
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- Robert Hamilton:
Maps and Legends: Designing FPS-Based Interfaces for Multi-user Composition, Improvisation and Immersive Performance.
478-486
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- Steve Mann, James Fung, Ariel Garten:
DECONcert: Making Waves with Water, EEG, and Music.
487-505
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Copyright © Sat May 16 23:02:36 2009
by Michael Ley (ley@uni-trier.de)
