NIME 2004: Hamamatsu, Japan

Yoichi Nagashima, Michael J. Lyons (Eds.): New Interfaces for Musical Expression, NIME-04, Proceedings, Hamamatsu, June 3-5, 2004. Shizuoka University of Art and Culture 2004, ISBN 4-9902099-0-7 BibTeX

Paper Session 1

Sidney Fels, Linda Kaastra, Sachiyo Takahashi, Graeme McCaig:
Evolving Tooka: from Experiment to Instrument. 1-6
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Ajay Kapur, Ari J. Lazier, Philip Davidson, R. Scott Wilson, Perry R. Cook:
The Electronic Sitar Controller. 7-12
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Masami Takahata, Kensuke Shiraki, Yutaka Sakane, Yoichi Takebayashi:
Sound Feedback for Powerful Karate Training. 13-18
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Report Session 1

Martin Kaltenbrunner, Gunter Geiger, Sergi Jordà:
Dynamic Patching for Live Musical Performance. 19-22
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Diana Young, Ichiro Fujinaga:
Aobachi: A New Interface for Japanese Drumming. 23-26
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Poster Session 1

Nick Bryan-Kinns, Patrick G. T. Healey:
Daisyphone: Support for Remote Music Collaboration. 27-30
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Christophe Havel, Myriam Desainte-Catherine:
Modeling an air percussion for composition and performance. 31-34
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Mark J. Nelson, Belinda Thom:
A Survey of Real-Time MIDI Performance. 35-38
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Arshia Cont, Thierry Coduys, Cyrille Henry:
Real-time Gesture Mapping in Pd Environment using Neural Networks. 39-42
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Assaf K. Talmudi:
The Decentralized Pianola: Evolving Mechanical Music Instruments Using a Genetic Algorithm. 43-46
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James Mandelis, Phil Husbands:
Don't Just Play it, Grow it! : Breeding Sound Synthesis and Performance Mappings. 47-50
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Report Session 2

Judith Shatin, David Topper:
Tree Music: Composing with GAIA. 51-54
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Gideon D'Arcangelo:
Recycling Music, Answering Back: Toward an Oral Tradition of Electronic Music. 55-58
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Sergi Jordà:
Digital Instruments and Players: Part I - Efficiency and Apprenticeship. 59-63
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Nikita Pashenkov:
A New Mix of Forgotten Technology: Sound Generation, Sequencing and Performance Using an Optical Turntable. 64-67
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Paper Session 2

Eric Lee, Teresa Marrin Nakra, Jan Borchers:
You're The Conductor: A Realistic Interactive Conducting System for Children. 68-73
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M. Sile O'Modhrain, Georg Essl:
PebbleBox and CrumbleBag: Tactile Interfaces for Granular Synthesis. 74-79
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Garth Paine:
Gesture and Musical Interaction: Interactive Engagement Through Dynamic Morphology. 80-86
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Report Session 3

Doug Van Nort, Marcelo M. Wanderley, Philippe Depalle:
On the Choice of Mappings Based On Geometric Properties. 87-91
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Brian Sheehan:
The Squiggle: A Digital Musical Instrument. 92-95
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Poster Session 2

David Gerhard, Daryl H. Hepting, Matthew McKague:
Exploration of the correspondence between visual and acoustic parameter spaces. 96-99
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Chandrasekhar Ramakrishnan, Jason Freeman, Kristjan Varnik, David Birchfield, Phil Burk, Max Neuhaus:
The Architecture of Auracle: a Real-Time, Distributed, Collaborative Instrument. 100-103
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Homei Miyashita, Kazushi Nishimoto:
Thermoscore: A New-type Musical Score with Temperature Sensation. 104-107
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Stefania Serafin, Diana Young:
Toward a generalized friction controller: from the bowed string to unusual musical instruments. 108-111
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Philippe Stanislas Zaborowski:
ThumbTec: A New Handheld Input Device. 112-115
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Ryan H. Torchia, Cort Lippe:
Techniques for Multi-Channel Real-Time Spatial Distribution Using Frequency-Domain Processing. 116-119
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RENCON Session

Rumi Hiraga, Roberto Bresin, Keiji Hirata, Haruhiro Katayose:
Rencon 2004: Turing Test for Musical Expression. 120-123
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Haruhiro Katayose, Keita Okudaira:
Using an Expressive Performance Template in a Music Conducting Interface. 124-129
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Hideki Kawahara, Hideki Banno, Masanori Morise:
Acappella synthesis demonstrations using RWC music database. 130-131
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Paper Session 3

Roger B. Dannenberg:
Aura II: Making Real-Time Systems Safe for Music. 132-137
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Ge Wang, Perry R. Cook:
"On-the-fly Programming: Using Code as an Expressive Musical Instrument". 138-143
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Michael Lew:
Live Cinema: Designing an Instrument for Cinema Editing as a Live Performance. 144-149
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Report Session 4

Cornelius Poepel:
Synthesized Strings for String Players. 150-153
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Atau Tanaka:
Mobile Music Making. 154-156
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Poster Session 3

Emmanuel Fléty:
Versatile sensor acquisition system utilizing Network Technology. 157-160
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Lalya Gaye, Lars Erik Holmquist:
In Duet with Everyday Urban Settings: A User Study of Sonic City. 161-164
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Enrique Franco, Niall J. L. Griffith, Mikael Fernström:
Issues for Designing a flexible expressive audiovisual system for real-time performance & composition. 165-168
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Gamhewage C. de Silva, Tamara Smyth, Michael J. Lyons:
A Novel Face-tracking Mouth Controller and its Application to Interacting with Bioacoustic Models. 169-172
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Yoichi Nagashima:
Measurement of Latency in Interactive Multimedia Art. 173-176
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Katsuhisa Ishida, Tetsuro Kitahara, Masayuki Takeda:
ism: Improvisation Supporting System based on Melody Correction. 177-180
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Report Session 5

Eric Singer, Jeff Feddersen, Chad Redmon, Bil Bowen:
LEMUR's Musical Robots. 181-184
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Anthony J. Hornof, Linda Sato:
EyeMusic: Making Music with the Eyes. 185-188
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Mark Argo:
The Slidepipe: A Timeline-Based Controller for Real-Time Sample Manipulation. 189-192
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Matthew Burtner:
A Theory of Modulated Objects for New Shamanic Controller Design. 193-196
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Demo Session

Jean-Marc Pelletier:
A Shape-Based Approach to Computer Vision Musical Performance Systems. 197-198
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Stephen Hughes, Cormac Cannon, M. Sile O'Modhrain:
Epipe : A Novel Electronic Woodwind Controller. 199-200
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Geoffrey C. Morris, Sasha Leitman, Marina Kassianidou:
SillyTone Squish Factory. 201-202
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Hans-Christoph Steiner:
StickMusic: Using haptic feedback with a phase vocoder. 203-204
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Thierry Coduys, Cyrille Henry, Arshia Cont:
TOASTER and KROONDE: High-Resolution and High-Speed Real-time Sensor Interfaces. 205-206
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Suguru Goto, Takahiko Suzuki:
The Case Study of Application of Advanced Gesture Interface and Mapping Interface, - Virtual Musical Instrument "Le SuperPolm" and Gesture Controller "BodySuit". 207-208
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Sook Young Won, Humane Chan, Jeremy Liu:
Light Pipes: A Light Controlled MIDI Instrument. 209-210
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Takuro Mizuta Lippit:
Realtime Sample System for the Turntablist version 2: 16padjoystickcontroller. 211-212
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Michael Eyal Sharon:
The Stranglophone: Enhancing Expressiveness in Live Electronic Music. 213-214
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Tomoko Hashida, Yasuaki Kakehi, Takeshi Naemura:
Ensemble system with i-trace. 215-216
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