NIME 2002: Dublin, Ireland

Eoin Brazil (Ed.): New Interfaces for Musical Expression, NIME-02, Proceedings, Dublin, Ireland, May 24-26, 2002. Media Lab Europe 2002, ISBN 1874653658 BibTeX

Session 1 - Saturday

Robert Huott:
An Interface for Precise Musical Control. 1-5
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Lisa McElligott, Edward Dixon, Michelle Dillon:
'PegLegs in Music' - Processing the Effort Generated by Levels of Expressive Gesturing in Music. 6-10
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James Patten, Ben Recht, Hiroshi Ishii:
Audiopad: A Tag-based Interface for Musical Performance. 11-16
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Tina Blaine, Clifton Forlines:
JAM-O-WORLD: Evolution of the Jam-O-Drum into the Jam-O-Whirl Gaming Interface. 17-22
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Session 2 - Saturday

Roberto Oboe, Giovanni De Poli:
Multi-instrument virtual keyboard - the MIKEY project. 23-28
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Charles Nichols:
The vBow: Development of a Virtual Violin Bow Controller Haptic Human-Computer Interface. 29-32
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Bill Verplank, Michael Gurevich, Max Mathews:
The PLANK: Designing a simple Haptic Controller. 33-36
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Eric Gunther, Glorianna Davenport, M. Sile O'Modhrain:
Cutaneous Grooves: Composing for the Sense of Touch. 37-43
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Session 3 - Saturday

Atau Tanaka, R. Benjamin Knapp:
Multimodal Interaction in Music Using the Electromyogram and Relative Position Sensing. 43-48
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Alain Baumann, Rosa Sanchez:
Interdisciplinary Applications of New Instruments. 49-53
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Graeme McCaig, Sidney Fels:
Playing on Heart-Strings: Experiences with the 2Hearts system. 54-59
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Florian Vogt, Graeme McCaig, Mir Adnan Ali, Sidney Fels:
Tongue 'n' Groove. 60-64
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Session 4 - Saturday

Diana Young:
The Hyperbow Controller: Real-Time Dynamics Measurement of Violin Performance. 65-70
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Matthew Burtner:
Noisegate 67 for Metasaxophone: Composition and Performance Considerations of a New Computer Music Controller. 71-76
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Ajay Kapur, Georg Essl, Philip Davidson, Perry R. Cook:
The Electronic Tabla Controller. 77-81
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Carr Wilkerson, Carmen Ng, Stefania Serafin:
The Mutha Rubboard Contoller: Interactive Heritage. 82-85
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Bert Bongers, Yolanda Harris:
A Structured Instrument Design Approach: The Video-Organ. 86-91
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Session 5 - Sunday

Johannes Taelman:
A low-cost Sonar Interface for Unobtrusive Man-Machine Interfacing. 92-95
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Emmanuel Fléty:
AtoMIC Pro: A Multiple Sensor Acquisition Device. 96-101
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Gideon D'Arcangelo:
Creating a Context for Musical Innovation: A NIME Curriculum. 102-105
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Gil Weinberg, Roberto Aimi, Kevin Jennings:
The Beatbug Network: A Rhythmic System for Interdependent Group Collaboration. 106-111
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Session 6 - Sunday

Tamara Smyth, Julius O. Smith:
Creating Sustained Tones with the Cicada's Rapid Sequential Buckling Mechanism. 112-115
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Sidney Fels, Florian Vogt:
Tooka: Exploration of Two Person Instruments. 116-121
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Leila Hasan, Nicholas Yu, Joseph A. Paradiso:
The Termenova: A Hybrid Free-Gesture Interface. 122-127
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Daniel Arfib, Jacques Dudon:
A Digital Emulator of the Photosonic Instrument. 128-131
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Sergi Jordà:
Afasia: The Ultimate Homeric One-Man-Multimedia-Band. 132-137
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Session 7 - Sunday

Norbert Schnell, Marc Battier:
Introducing Composed Instruments: Technical and Musicological Implications. 138-142
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Ashley Gadd, Sidney Fels:
MetaMuse: Metaphors for Expressive Instruments. 143-148
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Andy Hunt, Marcelo M. Wanderley, Matthew Paradis:
The Importance of Parameter Mapping in Electronic Instrument Design. 149-154
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Antonio Camurri, Riccardo Trocca, Gualtiero Volpe:
Interactive Systems Design: A KANSEI based Approach. 155-162
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Demonstrations

Tim Hankins, David Merrill, Jocelyn Robert:
Circular Optical Object Locator. 163-164
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Kieran Ferris, Liam J. Bannon:
The Musical Box Garden. 165-167
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Laurel Pardue, Joseph A. Paradiso:
Musical Navigatrics: New Musical Interactions with Passive Magnetic Tags. 168-170
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David Wessel, Matthew Wright, John Schott:
Intimate Musical Control of Computers with a Variety of Controllers and Gesture Mapping Metaphors. 171-173
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Loïc Kessous:
Bi-manual mapping experimentation, with angular fundamental frequency control and sound color navigation. 174-175
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Jean-Michel Couturier:
A Scanned Synthesis virtual instrument. 176-178
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Mark T. Marshall, Matthias Rath, Breege Moynihan:
The Virtual Bodhran - The Vodhran. 179-180
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Jordan Wynnychuk, Richard Porcher, Luka Brajovic, Marko Brajovic, Nacho Platas:
Music Software Interfacing and 3D Navigation. 181-182
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Kia Ng:
Interactive Gesture Music Performance Interface. 183-184
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IXI Software. 185
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Stanza: Amorphoscapes & Soundtoys. 186-187
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Todd Winkler:
Fusing Movement, Sound, and Video in Falling Up, an Interactive Dance/Theatre Production. 188
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David Bernard:
Experimental Controllers for Live Electronic Music Performance (vs.Copyright). 189
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James Mandelis:
Adaptive Hyperinstruments: Applying Evolutionary Techniques to Sound Synthesis and Performance. 190-191
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Garth Paine:
'Gestation' Installation. 192-193
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Niall Griffith, Ed Hammond, Sean O'Leary, M. Sile O'Modhrain, Donagh O'Shea:
Circles and Seeds: Adapting Kpelle ideas about music performance for collaborative Digital Music performance. 194-195
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Keynotes

Tod Machover:
Instruments, Interactivity, and Inevitability. 196
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Joel Chadabe:
The Limitations of Mapping and a Structural Descriptive in Electronic Instruments. 197-201
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