| 2009 |
|---|
| 18 | EE | Jane Grant,
John Matthias,
Tim Hodgson,
Eduardo Reck Miranda:
Hearing Thinking.
EvoWorkshops 2009: 609-614 |
| 2008 |
|---|
| 17 | EE | Eduardo Reck Miranda:
Digital Sound Synthesis for Multimedia Audio.
Wiley Encyclopedia of Computer Science and Engineering 2008 |
| 16 | EE | Eduardo Reck Miranda:
Emergent songs by social robots.
J. Exp. Theor. Artif. Intell. 20(4): 319-334 (2008) |
| 2006 |
|---|
| 15 | EE | João Magalhães Martins,
Eduardo Reck Miranda:
A Connectionist Architecture for the Evolution of Rhythms.
EvoWorkshops 2006: 696-706 |
| 14 | | Leandro Lesqueves Costalonga,
Eduardo Reck Miranda,
John Matthias,
Rosa Vicari:
An Idiomatic Plucked String Player.
FLAIRS Conference 2006: 231-236 |
| 13 | EE | Qijun Zhang,
Eduardo Reck Miranda:
Evolving musical performance profiles using genetic algorithms with structural fitness.
GECCO 2006: 1833-1840 |
| 2005 |
|---|
| 12 | EE | Jesus L. Alvaro,
Eduardo Reck Miranda,
Beatriz Barros:
Music Knowledge Analysis: Towards an Efficient Representation for Composition.
CAEPIA 2005: 331-341 |
| 11 | EE | Eduardo Reck Miranda,
John Matthias:
Granular Sampling Using a Pulse-Coupled Network of Spiking Neurons.
EvoWorkshops 2005: 539-544 |
| 10 | EE | Eduardo Coutinho,
Eduardo Reck Miranda,
Patricio da Silva:
Evolving Emotional Behaviour for Expressive Performance of Music.
IVA 2005: 497 |
| 9 | EE | Eduardo Reck Miranda,
Andrew Brouse:
Toward Direct Brain-Computer Musical Interfaces.
NIME 2005: 216-219 |
| 8 | EE | Dan Livingstone,
Eduardo Reck Miranda:
Orb3 - Adaptive Interface for Realtime Sound Synthesis & Diffusion within Socially Mediated Spaces.
NIME 2005: 65-69 |
| 2004 |
|---|
| 7 | EE | Eduardo Reck Miranda:
At the Crossroads of Evolutionary Computation and Music: Self-Programming Synthesizers, Swarm Orchestras and the Origins of Melody.
Evolutionary Computation 12(2): 137-158 (2004) |
| 2002 |
|---|
| 6 | EE | Eduardo Reck Miranda:
Sounds of artificial life.
Creativity & Cognition 2002: 173-177 |
| 5 | EE | Eduardo Reck Miranda:
Mimetic Development of Intonation.
ICMAI 2002: 107-118 |
| 4 | | Eleonora Bilotta,
Eduardo Reck Miranda,
Pietro Pantano,
Peter M. Todd:
Artificial Life Models for Musical Applications: Workshop Report.
Artificial Life 8(1): 83-86 (2002) |
| 2000 |
|---|
| 3 | | Eduardo Reck Miranda:
Readings in Music and Artificial Intelligence
Harwood Academic publishers 2000 |
| 2 | EE | Eduardo Reck Miranda:
The Art of Rendering Sounds from Emergent Behaviour: Cellular Automata Granular Synthesis.
EUROMICRO 2000: 2350-2355 |
| 1 | | Eduardo Reck Miranda:
Regarding Music, Machines, Intelligence and the Brain: An Introduction to Music and AI.
Readings in Music and Artificial Intelligence 2000: 1-13 |
