2. ICMAI 2002: Edinburgh, Scotland, UK

Christina Anagnostopoulou, Miguel Ferrand, Alan Smaill (Eds.): Music and Artificial Intelligence, Second International Conference, ICMAI 2002, Edinburgh, Scotland, UK, September 12-14, 2002, Proceedings. Lecture Notes in Computer Science 2445 Springer 2002, ISBN 3-540-44145-X BibTeX

@proceedings{DBLP:conf/icmai/2002,
  editor    = {Christina Anagnostopoulou and
               Miguel Ferrand and
               Alan Smaill},
  title     = {Music and Artificial Intelligence, Second International Conference,
               ICMAI 2002, Edinburgh, Scotland, UK, September 12-14, 2002, Proceedings},
  booktitle = {ICMAI},
  publisher = {Springer},
  series    = {Lecture Notes in Computer Science},
  volume    = {2445},
  year      = {2002},
  isbn      = {3-540-44145-X},
  bibsource = {DBLP, http://dblp.uni-trier.de}
}

Invited Talks

Mira Balaban:
Structure and Interpretation of Music Concepts: Music from a Computational Perspective. 1-3
Electronic Edition (Springer LINK) BibTeX
Antonio Camurri:
Expressive Gesture. 4
Electronic Edition (Springer LINK) BibTeX

Regular Contributions

Rens Bod:
A General Parsing Model for Music and Language. 5-17
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Elaine Chew:
The Spiral Array: An Algorithm for Determining Key Boundaries. 18-31
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Darrell Conklin:
Representation and Discovery of Vertical Patterns in Music. 32-42
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Roger B. Dannenberg, Ning Hu:
Discovering Musical Structure in Audio Recordings. 43-57
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Simon Dixon, Werner Goebl, Gerhard Widmer:
Real Time Tracking and Visualisation of Musical Expression. 58-68
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Perfecto Herrera, Alexandre Yeterian, Fabien Gouyon:
Automatic Classification of Drum Sounds: A Comparison of Feature Selection Methods and Classification Techniques. 69-80
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Tim Horton:
Some Formal Problems with Schenkerian Representations of Tonal Structure. 81-93
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Soh Igarashi, Tomonobu Ozaki, Koichi Furukawa:
Respiration Reflecting Musical Expression: Analysis of Respiration during Musical Performance by Inductive Logic Programming. 94-106
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Eduardo Reck Miranda:
Mimetic Development of Intonation. 107-118
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François Pachet:
Interacting with a Musical Learning System: The Continuator. 119-132
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Aggelos Pikrakis, Sergios Theodoridis, Dimitris Kamarotos:
Recognition of Isolated Musical Patterns Using Hidden Markov Models. 133-143
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Dirk-Jan Povel:
A Model for the Perception of Tonal Melodies. 144-154
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Somnuk Phon-Amnuaisuk:
Control Language for Harmonisation Process. 155-167
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Christian Spevak, Belinda Thom, Karin Höthker:
Evaluating Melodic Segmentation. 168-182
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Neta Spiro:
Combining Grammar-Based and Memory-Based Models of Perception of Time Signature and Phase. 183-194
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David Temperley:
A Bayesian Approach to Key-Finding. 195-206
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