2009 |
13 | EE | Makoto Okabe,
Ken-ichi Anjyo,
Takeo Igarashi,
Hans-Peter Seidel:
Animating Pictures of Fluid using Video Examples.
Comput. Graph. Forum 28(2): 677-686 (2009) |
2007 |
12 | EE | Hideki Todo,
Ken-ichi Anjyo,
William Baxter,
Takeo Igarashi:
Locally controllable stylized shading.
ACM Trans. Graph. 26(3): 17 (2007) |
2006 |
11 | EE | Ken-ichi Anjyo,
Shuhei Wemler,
William Baxter:
Tweakable light and shade for cartoon animation.
NPAR 2006: 133-139 |
10 | EE | William Baxter,
Ken-ichi Anjyo:
Latent Doodle Space.
Comput. Graph. Forum 25(3): 477-485 (2006) |
2003 |
9 | EE | Ken-ichi Anjyo,
Katsuaki Hiramitsu:
Stylized Highlights for Cartoon Rendering and Animation.
IEEE Computer Graphics and Applications 23(4): 54-61 (2003) |
2001 |
8 | EE | Ken-ichi Anjyo:
Bridging the Gap between 2D and 3D: A Stream of Digital Animation Techniques.
Pacific Conference on Computer Graphics and Applications 2001: 332-337 |
7 | | Hyung Woo Kang,
Soon Hyung Pyo,
Ken-ichi Anjyo,
Sung Yong Shin:
Tour Into the Picture using a Vanishing Line and its Extension to Panoramic Images.
Comput. Graph. Forum 20(3): (2001) |
1997 |
6 | EE | Youichi Horry,
Ken-ichi Anjyo,
Kiyoshi Arai:
Tour into the picture: using a spidery mesh interface to make animation from a single image.
SIGGRAPH 1997: 225-232 |
1996 |
5 | EE | Kiyoshi Arai,
Tsuneya Kurihara,
Ken-ichi Anjyo:
Bilinear interpolation for facial expression and metamorphosis in real-time animation.
The Visual Computer 12(3): 105-116 (1996) |
1995 |
4 | EE | Munetoshi Unuma,
Ken-ichi Anjyo,
Ryozo Takeuchi:
Fourier principles for emotion-based human figure animation.
SIGGRAPH 1995: 91-96 |
1992 |
3 | EE | Ken-ichi Anjyo,
Yoshiaki Usami,
Tsuneya Kurihara:
A simple method for extracting the natural beauty of hair.
SIGGRAPH 1992: 111-120 |
1991 |
2 | | Ken-ichi Anjyo:
Semi-globalization of stochastic spectral synthesis.
The Visual Computer 7(1): 1-12 (1991) |
1987 |
1 | | Ken-ichi Anjyo,
Toshio Ochi,
Yoshiaki Usami,
Yasumasa Kawashima:
A practical method of constructing surface in three-dimensional digitized space.
The Visual Computer 3(1): 4-12 (1987) |