2008 |
13 | EE | John J. Magee,
Margrit Betke,
James Gips,
M. R. Scott,
Benjamin N. Waber:
A Human-Computer Interface Using Symmetry Between Eyes to Detect Gaze Direction.
IEEE Transactions on Systems, Man, and Cybernetics, Part A 38(6): 1-1261 (2008) |
2004 |
12 | EE | Amy Gips,
Philip A. DiMattia,
James Gips:
The Effect of Assistive Technology on Educational Costs: Two Case Studies.
ICCHP 2004: 206-213 |
2003 |
11 | EE | Kristen Grauman,
Margrit Betke,
J. Lombardi,
James Gips,
Gary R. Bradski:
Communication via eye blinks and eyebrow raises: video-based human-computer interfaces.
Universal Access in the Information Society 2(4): 359-373 (2003) |
2002 |
10 | EE | James Gips,
Philip A. DiMattia,
Marialice Curran,
Debra Lees,
Maureen Gates:
Accessing Internet Courses by Eye Movement and Head Movement.
ICCHP 2002: 236-237 |
9 | EE | Christopher Fagiani,
Margrit Betke,
James Gips:
Evaluation of Tracking Methods for Human-Computer Interaction.
WACV 2002: 121-126 |
2001 |
8 | EE | Kristen Grauman,
Margrit Betke,
James Gips,
Gary R. Bradski:
Communication via Eye Blinks - Detection and Duration Analysis in Real Time.
CVPR (1) 2001: 1010-1017 |
7 | | James Gips,
Margrit Betke,
Philip A. DiMattia:
Early experiences using visual tracking for computer access by people with profound physical disabilities.
HCI 2001: 914-918 |
1998 |
6 | EE | James Gips:
On Building Intelligence into EagleEyes.
Assistive Technology and Artificial Intelligence 1998: 50-58 |
1995 |
5 | EE | Peter Olivieri,
James Gips,
Jason McHugh:
EagleEyes: Eye Controlled Multimedia (Video).
ACM Multimedia 1995: 537-538 |
1993 |
4 | | James Gips,
Peter Olivieri,
Joseph Tecce:
Direct Control of the Computer Through Electrodes Placed Around the Eyes.
HCI (1) 1993: 630-635 |
1975 |
3 | | James Gips,
George Stiny:
Artificial Intelligence And Aesthetics.
IJCAI 1975: 907-911 |
1974 |
2 | EE | James Gips:
A syntax-directed program that performs a three-dimensional perceptual task.
Pattern Recognition 6(3-4): 189-199 (1974) |
1971 |
1 | | George Stiny,
James Gips:
Shape Grammars and the Generative Specification of Painting and Sculpture.
IFIP Congress (2) 1971: 1460-1465 |